Oh, and she's giving away a copy of her current release: Top Ten Uses for an Unworn Prom Dress. CHECK IT OUT!

Yet another writer blogs about the good, bad and sometimes ugly aspects of the writing life and life in general.
Okay, okay, she told me a couple of months ago about her plans. But I’ve been in denial (my favorite river in Egypt). After all, we’ve been face-to-face CPs for almost two years now and we’ve worked really hard at our writing and at being supportive and helpful to each other. No small feat!
I’ve had a number of critique partners and participated in lots of groups (both formal classes and organizations and less formal ones) over the years, both online and face-to-face. Finding a “good one” is %#&#@) DIFFICULT!
Losing one is an absolute B*TCH!
Finding a CP who “fits” is hard work. You need to find someone who “gets” your writing, and vice versa. You need someone who is equally dedicated to his/her writing and to critiquing. But most of all, you have to find someone you can “trust.”
The trustworthiness of a CP goes far beyond the trust in many other relationships. Like it or not, every writer imbues her work with a certain amount of herself. What you write definitely reflects who you are, but it goes beyond a mere reflection. In so many ways, our writing truly becomes “our baby.” Finding someone you trust enough to criticize “your baby” is tricky indeed!
Aimee and I will continue being CPs, but online rather than face-to-face. And I will begin my search for a new face-to-face CP. But I know it will take a lot of time and effort for me to find someone, and no one will completely fill Aimee’s ballet slippers.
I MISS YOU ALREADY, Kiddo!
Okay, maybe not REAL homocide, but ficitional. Or the intense desire to commit homocide. What a blood-thirsty mood I’m in! Obviously the rejections are getting to me.
Every writer who receives more than two or three rejections quickly begins to recognize certain “standard phrases” used by editors and agents. Phrases that might have once meant something, but due to extreme overuse in too many situations now mean absolutely nothing. Well, except as maybe an excuse for the recipient to beat his/her head repeatedly on the most convenient immovable object and/or seek his/her vice of choice.
You know the ones I mean…
And while you or I may scream,
“Why NOT?”
“What was unlovable about it?”
“What IS RIGHT for you right now?”
We will never really know. And it’s that uncertainty — the NOT knowing — that is so frustratingly hard to accept.
Most of the AYUs I know (myself included) have this nagging unreasonable fear of the “Published Writers’ Secret Handshake”. Being published is like a special club and we don’t know the secret handshake that will get us admitted. Hearing or reading those ambiguous phrases like “…just not right for us…” serves as a reminder that we are NOT in the club.
And of course, the big fear — We may never be in the club!